yarn - Flying Goat Farm

Posted on July 27, 2015March 6, 2020 by Lisa Check — Leave a comment

Stash Appreciation–Alpaca Part 2

What about alpaca yarn?

OLYMPUS DIGITAL CAMERA — Doc from Grindstone Ridge Farm

Remember I said it was really warm. When you consider making a garment with alpaca, consider the warmth requirements of the wearer. Don’t make a sweater for someone with hot flashes, just sayin’. But that same lovely person, may have cold feet, perhaps a nice pair of alpaca socks would be a better choice.

Alpaca yarn, when knitted, produces a drapey, dense, relaxed fabric. This is amazing with the right garment, but this characteristic can be challenging as well. Drapey and relaxed fabric can also stretch out of shape and a dense fabric can be too warm or too heavy.

What kind of stitches work with 100% alpaca yarn? In stockinette, it will show off any variability in your knitting. So if you are not a consistent knitter (I can be very inconsistent), you should consider paring this yarn up with textured stitches like moss or seed stitch. Because the fiber tends to be very heavy and dense, a pattern with cables is going to be too heavy and the garment may pull out of shape from the shear weight of itself. A lace pattern might be a better choice. Still because alpaca is not elastic and is not resilient, a garment made with 100% alpaca should have enough stitch structure to hold the fiber in shape. You are probably saying to yourself, I’ve seen lovely alpaca sweaters. Yes it can be done. You just might want to consider a yarn that is a blend of alpaca and loftier, more elastic wool. A blend like that will allow you to make your cables and reduce the density of the sweater in the end. And an alpaca wool blend yarn can help your lace stay in it’s original size and shape.

Finally washing, when you wash an alpaca garment, take care not to pull it out of shape. Support the weight of the wet garment, so that it doesn’t stretch. And block carefully. The fiber itself won’t spring back like wool will.

Flying Goat Farm has a 100% alpaca yarn called Nimbus. It is 2-ply, sport weight yarn. We sell skeins of 200 yards. It is made with superfine alpaca fiber grown and milled in Peru. This yarn is next to the skin soft. It has a slight halo to the yarn. It is perfect for a cowl, shawl or scarf yet strong enough for hand warmers, socks or a hat. It would look great as a luxurious shawl to wear to the symphony. It is light weight enough to provide just enough warmth on a chilly spring or summer evening outing. It is perfect for a complicated lace pattern, yet will look fabulous in a seed stitch cowl that you can wear on the ski slope. It is soft enough for a newborn baby sweater too.

Posted on May 26, 2015March 6, 2020 by Lisa Check — Leave a comment

Using Hand-Dyed Yarns: Epic or Fail?

If you are like me, you have many, many hand-dyed yarns in your stash! I am just so drawn to bright, vibrant colors and it is hard to walk away from a beautiful skein. The question is what kind of garment should be made with these yarns to really show them off. I have learned a couple of lessons the hard way and I wanted to share these with you so you will be pleased with your knitting, crocheting or weaving results.

There are 2 categories of hand-dyes: semi-solid and wild color. The skeins below are what I would call wild color. They have multiple colors sitting next to each other in the skein. They can be manipulated to pool if you like seeing spots of color, or they can appear like random color.

When you use a wild color skein, use simple stitches and simple shapes to really show off the colors you so love. Let the color itself do the work. A pattern like Hitchhiker would be wonderful to use. When you use a pattern with more complex shapes or patterns you might get an epic fail, like this shawl I made with a 2 color skein. You can barely see the lovely leaf shapes.

I also love wild color for socks and cowls, because I like to get pooling, stripes, argyles and spirals.

I also like to use the inside and outside of the yarn cake so that each sock has a little different pattern.

Because the wild color skeins have different color placement, for larger projects you may have a pattern change when you switch skeins. You can minimize the jarring effect by knitting from two balls as you end one ball and begin the next. To go even further, you can compare your skeins to determine if the repeats are more similar from one end or the other of your skeins.

The skeins above are semi-solid. They have variable saturation but are all one hue or color. For semi-solid skeins you can use all kinds of fancy stitches and patterns. They are great for cabling and for lacy shawls. They really show off your knitting expertise.

My one big caution is this, even if the skeins were dyed in the same dyepot, at the same time, they still may not match perfectly. Small batch kettle dyeing is just like that. So for bigger projects, like a sweater, you should absolutely knit from 2 balls when you are switching skeins. I would also suggest that you pick your skeins carefully to make sure the ones you get match well. If you don’t do this, you will most probably get a definite line where you changed skeins and after all the work you just put into making this sweater you want to be totally happy with it. Believe me I speak from experience! Another epic fail that I fixed by frogging and redoing is this sweater below. I reknit the entire sweater using two balls. I was so frustrated that I didn’t even take a picture of the failed rendition. Now that sweater gets raves by everyone who sees it.

Posted on March 20, 2015March 6, 2020 by Sam Fargo — 2 Comments

Stash Appreciation–Mohair Blends

Mohair is an incredible fiber: strong, brilliant, resilient, warm, breathable and renewable. It does do better when it is blended with another fiber. Mohair in yarn can add a nice halo or fuzziness to the yarn. It also gives off it’s brilliant shine and luster. But by itself it can be a bit heavy. In the wrong kind of garment or the wrong kind of stitch it can be too slinky to keep the structure you intended. Many other writers have said that mohair has elasticity. It may have some, but it does not have the memory that wool has. Once it has stretched out, it is nearly impossible to get it back. You see, mohair wants to stretch out to its original somewhat straight shape.
When I design a yarn for my mohair, I go two routes. I make a 100% mohair that is tightly spun and a little less tightly plied. That way the mohair is stabilized, the sheen is apparent and the hand (the way it feels) is soft. I only use kid or yearling fleeces for this kind of yarn. This yarn is great for garments or accessories that call for drape, like a shawl or a scarf.

For a great tapestry yarn, I have my adult mohair spun in a fingering weight that is pretty tightly spun. This fine yarn will do well for tapestry weavers who want to blend colors for shading. Because it is a singles yarn, there are no ply shadows and the luster shines through. It is a very strong and durable yarn as well.

My blended yarns are designed in two veins as well. One yarn I blend uses adult mohair as a substitute for nylon in sock yarn. Adult mohair is lends it’s strength and durability to the fingering weight yarn. This sock yarn is totally renewable and natural without using man-made materials.

The second way I blend uses kid mohair with my crimpy, squishy Cormo or BFL fleeces to make lovely worsted weight yarn. The mohair gives a little halo and some shine to the wool. This yarn is fantastic to use for sweaters, hats, and mittens. It shows off beautiful lace patterns and your cables will pop out from the background stitches. We currently have many colorways of Fingal and Fernham in the shop.

If you are local, you can see our yarns in person at the Homespun Yarn Party Sunday 3/22 from 12-5pm in the Savage Mill Ballroom. Click here for more information.

What mohair blends do you have in your stash?

Posted on March 2, 2015March 6, 2020 by Lisa Check — Leave a comment

A Year of Stash Appreciation–Mohair

Mohair is such a favorite of mine. Of course, I would love it since I have a fiber flock of angora goats with lots of mohair on the hoof, so to speak. According to Clara Parkes’ book, The Knitter’s Book of Yarn, “Goats with silken hair” were referenced in the 14th century BC, but the angora goats that we know of today were domesticated near Ankara, Turkey in the 13th century AD. She writes that the word “mohair” is a variation of the Arabic word mukhayar, which means “to choose”. Perhaps because the European buyers were always “choosing” it.

Mohair grows very quickly, approximately 1 inch per month. Therefore the goats need to be sheared every 6 months or so. The staple length is long compared to many wool staples. The fibers themselves are long and hairlike, with large flat scales. This means that the fibers become highly reflective and full of luster.

Because of these characteristics, mohair takes dye beautifully. As a dyer I can achieve clear, saturated color that is very shiny. Like wool, mohair puts itself out if it is set on fire. It is very warm and insulating as well. It is very strong so it is used for textiles that get a lot of wear, like upholstery.

Kid mohair is the softest mohair. As the animal ages, the fibers grow thicker and stronger. Mohair can be classified as kid for 2-3 shearings usually. In some very good breeding lines, kid mohair classification can go on many years.

I use my mohair in various ways. I love to blend it with my wools. I have a sock yarn that uses adult mohair for strength and luster instead of nylon.

I have also used soft kid mohair with my squishy cormo or my lustrous BFL to make a worsted weight yarn to be used in warm sweaters, hats, mittens, etc.

I have also had 100% mohair made into yarns. A single ply that can be used for tapestry weaving although recently many knitters have been buying these mini skeins for doll clothes or to create gradient cowls or scarves.

A 2 ply that is sport weight that can be used for outerwear garments or nice strong warps for woolen blankets. I also love using 100% mohair roving with my new spinning students, since it is very easy to draft and makes a nice yarn for a beginner spinner.

During this month, I’ll be sharing what I know about mohair, its blends, fancy yarns and patterns in which mohair can shine. Have you used mohair in your knitting, crocheting, weaving or spinning? Please share in the comments.

Posted on February 27, 2015March 6, 2020 by Lisa Check — Leave a comment

Wool Love Wrap-up

Wool is so diverse and so can be used for so many different projects with different looks and different hand (they way it feels). To recap, there is a wool out there for all of your projects from soft next to the skin cormo for shawls, scarves and hats to tough lustrous Leicester Longwool for warm rugs or blankets. Wool has memory to spring back when stretch with wearing. It also is very insulating yet it is breathable wicking moisture away from your skin. Next week, The Year of Stash Appreciation will continue with an indepth look at mohair.

merinocloseup — Super fine merino showing the bounty of crimpy goodness.

What is your next wool project? Post your answers in the comments to share what’s on your needles.

Posted on February 13, 2015March 6, 2020 by Sam Fargo — Leave a comment

Stash Appreciation–Wool Blends Part 2–Cellulose and Synthetics

Effective yarn designers take many factors into consideration: fiber price, feel, structure, weight, and staple length to name a few. Why make a blend with wool and a plant or man-made fiber? It depends. Each of these blends starts with the incredibly versatile wool fiber and adds properties of luster, strength or temperature control to the resulting yarn. Adding rayon/Tencel/Viscose/Lyocell gives yarn the look of silk without the price of silk. All these processes were developed to mimic the silk fiber with it’s high glossy look. Adding nylon gives strength, while adding cotton reduces the warmth of the end garment. We’ll look at each of these.

Wool-Tencel: Tencel is a trade name for a particular rayon. It is made by breaking down woody plants and even wood into small molecules of cellulose. It is then extruded in the same way that spaghetti is extruded. The manufacturer can make any length staple length to match a wool staple that it will be blended with. Since there are no scales on the skin of each fiber, it is highly lustrous. But the flip side to that is that it is inelastic. It also lends incredible drape and softness to any fiber it is blended with.

Wool-Bamboo: Bamboo is just another type of Tencel/Rayon/Viscose. In these yarns, the plant is bamboo. It is hyped as a eco-fiber based on the fantastic growth and proliferation of bamboo. In fact, large areas of food producing land in other countries is being planted with bamboo. It is important to know that the making of bamboo fiber (yarn and textiles) is not as environmentally friendly as the photo above would have you believe. The digestion process uses toxic chemicals like sulfuric acid and large amounts of water. Some bamboo textiles claim to be organic, they may have been grown organically, however the manufacturing process would not be able to meet organic standards. In fact, many of the characteristics of bamboo such as its anti-bacterial property are lost because of the process used to make the fiber. There are some manufacturers who use mechanical breakdown which uses less chemicals and water to break down the plants. At this time there is no labeling requirement, so you can’t really tell which yarn would be produced in this more environmentally friendly way.

Wool-Lyocell: Lyocell again is just a type of tencel. But the manufacturing process used involves less chemicals and so is less ecologically toxic. This system is also on a closed loop, meaning that the chemicals and water are reused rather than just dumped into the local environment.

Wool-Cotton: There are a few of these blends available in the commercial market. They are sturdy yarns that can be used for projects for warmer climates where 100% wool would be too warm. The wool and cotton are both “breathable” and the cotton tends to stay cooler against your skin.

Wool-Nylon: These blends are typically found in yarn intended for socks. Nylon is a man-made fiber that is extremely strong and durable. Since socks get a lot of abrasion, nylon helps them last longer. Nylon also returns to it’s original shape after being stretched.

Wool-Acrylic: These blends tend to have wool as a lower percentage (20-30%) of the yarn than the acrylic. Sometimes nylon is added to this mix as well. These yarns all claim to be machine washable and can be put into a dryer as well. They are great for easy care garments and especially for infant or child items. The yarns are also designed to be very soft which is a characteristic that most people want in their garments. These blends are the entry point for new knitters. Hopefully after knitting basics are mastered, knitters will moving into more adventurous yarns.

Do you have any of these blends in your stash? Do you have a favorite to use? What projects have you made with it? Leave a comment and share your thoughts.

Posted on February 9, 2015March 6, 2020 by Lisa Check — Leave a comment

Stash Appreciation–Wool Blends Part 1- Animal

After reading all the previous wool posts, I hope I’ve convinced you that wool is a great all purpose fiber that can be used for all kinds of finished products from hearty rugs to lacy, delicate shawls. Wool blends are designed to combine all the fantastic characteristics of wool with those of other fibers. Designers combine fibers together to make a yarn that solves a problem or serves a niche.

Wool-Mohair Blends: Mohair adds luster to the more matte finish wool. Wool provides the mohair with memory so that your garment will bounce back to it’s original shape. My Fernham yarn is 75% wool and 25% kid mohair. The mohair adds just a touch of light and softness. Mohair dyes vibrantly and gives the blend rich tones.

provenceskein — FGF Fernham yarn made in collaboraton with Grindstone Ridge Farm. There are only a limited number of skeins left in this custom mill spun yarn. So if you love it, click on the picture to go to our store and buy as much as you need.

Mohair can also add strength. I designed our Perendale (wool) and adult Mohair sock yarn blend. The mohair takes the place of nylon in other sock yarns. The Perendale wool gives the sock structure and spring and memory.

psock — FGF sock yarn made with 95% wool from perendale sheep and 5% adult mohair for strength and durability

Wool-Cashmere Blends: Cashmere gives that incredible softness to the wool blend. It also provides a lot of warmth without adding a lot of weight to the yarn. Cashmere is almost always a shorter staple length than the wool. So it will add a halo to the yarn. It may also migrate out the the yarn and provide a pill factor.

Wool-Silk Blends: Silk lends incredible luster and strength to the wool fibers. Silk is stronger than steel. And there is an undeniable luxury factor when silk is added to wool. Silk also dyes vibrantly with rich tones.

Wool-Alpaca Blends: There are many alpaca wool yarn blends on the market. Many of them are also “baby alpaca” or cria. Just like any baby animal, cria fleeces are very fine and soft, so yarns made with it are also incredibly soft. Alpaca is also very warm and can be heavy. Wool in the blend provides the structure and memory to the yarn, so the yarns will bounce back into shape and not keep “growing”. Alpaca dyes in softer saturation than either silk or mohair.

Wool-Angora Blends: I am just not all that familiar with Angora rabbits and I don’t want to mislead you. I do know that it is incredibly soft and warm. Every angora yarn I’ve seen has almost a brushed appearance. So I wonder if angora is a bit like cashmere, in that, it will migrate out of the yarn and shed. In these blends, wool is definitely adding the structure and stability to the yarn. If you, dear reader, have more info about this add it to a comment and share your knowledge.

Posted on February 2, 2015March 6, 2020 by Lisa Check — 2 Comments

What It Takes to Make a Farm Yarn

I am asked all the time about making yarn from the fleeces of our animals. It all begins with the animals. A fiber farmer chooses what animals they will raise. Some are looking purely at fleeces, others research the general health or thriftiness of the breed itself. You can read about my choice of breeds: Blue Faced Leicester, Cormo and Angora Goats here.

Growth and maintenance of fleeces is a year round task. Many fiber farmers cover their sheep year-round to minimize the dirt and hay that can end up in fleeces. Some long wool breeds and angora goats don’t tolerate the covers as the fleeces felt under the covers. Covers themselves can be tricky when the animals are in between sizes, like my yearlings are right now. The covers are either too small and restrictive or too loose so they fall off. So we need to also look at how we feed hay so that the sheep and goats don’t pull hay on top of themselves.

Shearing can be done once or twice a year. It is important to shear carefully so that their aren’t second cuts. These are small usually less than 1/2 inch staple length pieces that result from the shearer making a second pass on the fleece. I am so lucky to have the services of an excellent professional shearer, Emily Chamelin. She shears quickly so the animals are not traumatized and with very few second cuts.

photo by Kelsey

After shearing, we need to skirt the fleece. This means that the nasty and really dirty bits are removed from the prime fleece. At this point, I make the decision about the fate of each fleece. Is it clean enough to be sold to a handspinner? Is the character of the fleece consistent throughout the fleece? If so that fleece can be set aside for our prime yarn. Or are there neck and leg parts that are not the same quality? If this is the case, I take off those pieces and collect them from all the fleeces to be made into a different kind of yarn or roving.

When I have a sufficient quantity of prime Cormo or Blue Faced Leicester, I can then make my design decisions about the yarn. What weight? Blended with what? What kind of ply? Which mill to use for which processes? Collaborate with another fiber farmer to increase the quantity?

I choose to use a mill because I have limited time available to do the rest of the processing myself. The mill will wash, pick, card, comb, spin, ply and skein the yarn for me. Each process adds a cost to the end product. Whether it is the machinery, the operator or both, I have found that each mill has adds character to the yarn as well. My understanding of what the mill adds is part of my yarn design process. One spins and plies more tightly, another has a looser ply resulting in a less structured yarn.

My newest custom farm yarn is Cirrus. It is a 3 ply Fingering weight blend of wool and alpaca all locally grown and custom mill spun. Each skein is 600 yards. The wool and alpaca are fine with a lot of crimp. The alpaca does not take the dye to the same saturation as wool, so there is a heathery or tweedy appearance. There is enough yarn in each skein to make a beautiful shawl that will be soft, warm and lightweight. To buy this yarn now, click on the photo and you will find it in our webstore.

So next time you look at a yarn from a fiber farm, you will understand all the individual tasks and decisions made by that shepherd: breed, feed, shearing, skirting, processing all goes into making that yarn that you will use to make a beautifully crafted item that will be cherished for years to come.

Posted on January 30, 2015March 6, 2020 by Lisa Check — 1 Comment

Purebreds, Crosses and Breed Specific Wool Yarn

5530249662_238e476cb1_z — Our Cormo and Blue Faced Leicester ewes

What’s the fuss? Should you care about whether your roving or yarn comes from a specific breed or specific individual sheep? What about cross-bred sheep? Is knitting with a breed specific yarn any different than knitting with commercial yarn made from mixed wools?

I raise 2 breeds of sheep: Blue Faced Leicesters and Cormos. They and their fleeces are like night and day. BFL’s are a longwool breed. They grow fleeces that are fine, lustrous and long. The staple length of this wool is usually 5-6 inches. Their fleeces grows in lovely ringlet locks. They are leggy and regal looking with a roman nose. They are also the loudest sheep in the pasture. They are the ones who signal the others when they spot us coming to the barn. Cormos, on the other hand, as shorter and more compact. They grow heavy, fine, crimpy wool that is kind of like a thick blanket all over their bodies. Staple length of my sheep is 3 1/2 to 4 inches.

I chose these 2 breed because I wanted to make some yarn that was lustrous and other yarns that were more squishy and soft. Both of these wools would also be great complements for my mohair for nice yarn blends.

purple rain group — BFL mohair yarn from our sheep and goats. This could be yours today!

sauternehills heritage3 — 100% BFL yarn from my Maryland flocks, including mine. This could be yours today.

Last year was my first sheep breeding year. I borrowed Finegal from Grindstone Ridge Farm. I made the decision to breed my BFL ewes and 2 of my cormo ewes to see what a cross would be like. About half way through breeding, the open ewes decided that they wanted to be with Finegal too….including a small Icelandic ewe. In fact, she was the instigator. We were able to separate them out after about 2 hours. But 2 hours was enough to get more sheep bred than I wanted.

Last year’s lambs were Purebred 4 BFL’s, 4 BFL X Cormo, and 1 BFL X Icelandic. The cross bred fleeces are fantastic. The BFLXCormo fleeces are longer than their cormo mom’s fleece, but it is denser and crimpier than their BFL dad’s fleece. They don’t have the lock structure of the BFL breed standard. The Ice-Leicester lamb fleece grew as quickly has her mother’s fleece. It was not double coated, but rather a consistent fine fleece. It also didn’t have the BFL lock structure. Her current fleece has grown in differently than the first. It has lock structure. It is extremely dense and soft. It is still a single coat. It will be interesting to see how she continues to develop. I am excited for shearing day in March. I am looking forward to have those cross bred fleeces made into beautiful lustrous, next to the skin yarn.

So back to the original questions. What’s the fuss? Should you care? It depends on your goals. Breed specific yarns and roving can be fun to work with and very educational. You can see and feel the differences between the breeds and pick projects that complement the characteristics of the breeds. Will your knitting be different with these yarns? You may find yourself beginning to be more mindful of your yarn and project combinations as you begin to learn about the different breeds. You will also feel great about supporting individual fiber farms and maybe even your local fiber farm.

Do you have a favorite breed fleece or yarn to work with? Leave us a comment to share your opinion.

Posted on January 26, 2015March 6, 2020 by Sam Fargo — Leave a comment

Stash Appreciation–Woolen or Worsted Yarn

Woolen spun bottom Worsted spun top — Top: Worsted spun shows more stitch definition Bottom: Woolen spun soft bouncy yarn without stitch definition

Like cousins, woolen and worsted yarns have the same genetic profile, but look and act completely different from one another. Woolen yarns are generally the least expensive industrial yarns to make. This is because there are fewer steps in the manufacturing process. They can also use shorter fibers so many mills even use reclaimed or recycled fibers left over from other yarn making processes. The mills tend to spend a lot more time carding these fibers in order to get a more perfect blending and a better end product. During carding, the fibers are aligned somewhat, but when they get the the spinning step, they are still disorganized. The resulting yarn that is lofty and springy and less dense and smooth than it’s worsted cousin. The spinning is often quicker, producing a yarn with a thicker diameter that has less fibers and more air pockets inside.

Top: fulled Fernham yarn Bottom: unwashed, unfulled Fernham yarn — Top: fulled Fernham yarn
Bottom: unwashed, unfulled Fernham yarn

Woolen yarns have a more matte finish. They are very absorbent, making them great for soakers (like these). But they also tend to collect more dirt on the outside, so frequent gentle washing may be needed more often. They tend to be the yarns that felt well, but they also can produce pills when abraded. They are very warm and insulating primarily from those air pockets. Woolen yarns are good for warm, winter outerwear, like cowls, hats, scarves, handwarmers, mittens, gloves and sweaters. These yarns are very elastic and tend to be easier to break. This quality makes them useful for knitting, crochet and weft, but not a good candidate for warp threads in weaving. Because they are so lofty, hair and squishy, they do not have good stitch definition, so don’t use these yarns for fancy lace or cabled knits.

top: woolen spun bottom: semi-worsted You can see more luster and less halo on the bottom sample — top: woolen spun
bottom: semi-worsted
You can see more luster and less halo on the bottom sample

Worsted yarns are more expensive to manufacture because there are more steps involved. Wools that are usually made in a worsted or semi-worsted style are long wools with staples from 4-8 inches in length. Fleeces from breeds such as Leicester Longwools, Wensleydales, Lincolns and Teaswaters, are typically spun in a worsted style. After carding, the worsted process proceeds to combing. In this step, short or damaged fibers are removed from the web or batt. The fibers are also aligned longitudinally producing a highly organized and more uniform product called top or combed top. During spinning, the yarn becomes highly twisted and extremely strong. The yarn is more dense and heavier than woolen spun yarns with the same diameter.

Worsted yarns have a lot of luster. The wool scales are all aligned and are able to reflect light from their uniform surface. This quality makes them a great yarn to choose when knitting lace. The yarns are smooth and tightly twisted which means they can show off your fancier stitches such as cables. They are strong and durable so projects like socks will last a long time without abrading or pilling from use. Because they are so dense, they are not very absorbent, however once wet they take a long time to dry.

How do you find these yarns? If you are buying commercial yarns, the labels do not tell you how they were spun. So use your senses. Is the yarn smooth and tightly twisted? Then it is a worsted type yarn. Is the yarn more loft and bouncy? It is a woolen type yarn. If you are buying yarn from fiber farmers, ask them! They should know how their yarns were processed and what specifications they mill used to make the yarn. If you are buying handspun yarn, the spinner will surely be able to tell you if she spun it in a woolen, worsted or semi-worsted style.

What about the term worsted weight in yarn patterns and labels? That term is totally different than worsted spun. Worsted weight is a term coined by Craft Yarn Council o It refers to the diameter of the yarn. You can find woolen and worsted spun yarns in worsted weight. These yarns have a number 4 on the label and are considered the medium weight yarn. It is the most popular yarn weight because it can be successfully used by makers of all skill levels. It is also a good all around weight to use in the most popular handmade items such as garments and blankets.

Now go and look at your stash with new eyes! Do you have a preponderance of bouncy, squishy woolen type yarns to make into soft winter warm items? Or do you have a lot of highly twisted smooth yarn to make into durable socks? Or maybe you have a combination because you love to make all kinds of items. Leave us a note about what you find.

For more information: